The Levitz Grid

Paul Levitz probably thought about what a comic book writer does more than any of his contemporaries, or mine, and during his dozen-plus-years stint as writer of The Legion of Super-Heroes, systematized what his predecessors did haphazardly, if at all. Then, as an aid to his own work, he created three versions of the Levitz Grid [] Basically, the procedure is this: The writer has two, three, or even four plots going at once. The main plot—call it Plot A—occupies most of the pages and the characters‘ energies. The secondary plot—Plot B—functions as a subplot. Plot C and Plot D, if any, are given minimum space and attention—a few panels. As Plot A concludes, Plot B is „promoted“; it becomes Plot A, and Plot C becomes Plot B, and so forth. Thus, there is a constant upward plot progression; each plot develops in interest and complexity as the year’s issues appear.

Quelle: Serious comics writing post: how can teh Internet be so jam packed with my fe…

Additionally check out The Levitz Paradigm: „The best imitation of life possible in a work of fiction“

Parting Shot: Jonathan Hickman’s Graphtacular ‘Fantastic Four’ Outline

Parting Shot: Jonathan Hickman’s Graphtacular ‘Fantastic Four’ Outline

[T]he various plotlines as they progress through 30 issues of Fantastic Four.